An enumeration of every possible consonance within the gamut. From De preceptis artis musice et pratice compendiosus libellus by Guilielmus monachus.
Venice, Biblioteca Marciana, manuscript Lat. Z 336, coll. 1581.
[36] Sequuntur palmae contrapunctorum.
[Here follow the palms of counterpoint.]
Incipiunt palmae contrapunctorum tam quadrati alti quam naturae altae:
[Here begin the palms of counterpoint both with high square ‘b’s as well as high naturals.]
G re 12 | mi 13 | sol 15 | |
A ut 10 | mi 12 | [fa] 13 | la 15 |
B re 10 | fa 12 | sol 13 | |
C ut 8 | mi 10 | sol 12 | la 13 |
D re 8 | fa 10 | la 12 | |
E ut [6] | mi 8 | sol 10 | |
F ut 5 | re 6 | fa 8 | la 10 |
G re 5 | mi 6 | sol 8 | |
A ut 3 | mi 5 | fa 6 | la 8 |
B re 3 | fa [5] | sol 6 | |
C ut unisonus | mi 3 | sol 5 | la 6 |
D re unisonus | fa 3 | la 5 | |
E ut 3 desuper | mi unisonus | sol 3 | |
F re 3 desuper | fa unisonus | la 3 | |
G ut 5 desuper | mi 3 desuper | sol unisonus | |
A ut 6 desuper | re 5 desuper | fa 3 desuper | la unisonus |
B re 6 desuper | mi 5 desuper | sol 3 desuper | |
C ut 8 desuper | mi 6 desuper | fa 5 desuper | la 3 desuper |
D re 8 desuper | fa 6 desuper | sol 5 desuper | |
E ut 10 desuper | mi 8 desuper | sol 6 desuper | la 5 desuper |
G ut 8 | mi 10 | sol 12 | la 13 |
A re 8 | fa 10 | la 12 | |
B ut 6 | mi 8 | sol 10 | |
C ut 5 | re 6 | fa 8 | la 10 |
D re 5 | mi 6 | sol 8 | |
E ut 3 | mi 5 | fa 6 | la 8 |
F re 3 | fa 5 | sol 6 | |
G ut unisonus | mi 3 | sol 5 | la 6 |
[37] | |||
A re unisonus | fa 3 | la 5 | |
B ut 3 desuper | mi unisonus | sol 3 | |
C re 3 desuper | fa unisonus | la 3 | |
D ut 5 desuper | mi 3 desuper | sol unisonus | |
E ut 6 desuper | re 5 desuper | fa 3 desuper | la unisonus |
F re 6 [desuper] | mi 5 [desuper] | sol 3 desuper | |
G ut [8] desuper | mi 6 desuper | fa 5 desuper | la 3 [desuper] |
A re 8 desuper | fa 6 desuper | sol 5 desuper | |
B ut 10 [desuper] | mi 8 [desuper] | sol 6 [desuper] | la 5 desuper |
C re 10 [desuper] | fa 8 [desuper] | la 6 [desuper] | |
D ut 12 [desuper] | mi 10 [desuper] | sol 6 desuper | |
E ut 13 [desuper] | re 12 [desuper] | fa 10 [desuper] | la 8 desuper |
G ut 15 | mi 17 | sol 19 | la 20 |
A re 15 | fa 17 | la 19 | |
B ut 13 | mi 15 | sol [17] | |
C ut 12 | re 13 | fa 15 | la 17 |
D re 12 | mi 13 | sol 15 | |
E ut 10 | mi 12 | fa 13 | la 15 |
F re 10 | fa 12 | sol 13 | |
G ut 8 | mi 10 | sol 12 | la 13 |
A re 8 | fa 10 | la 12 | |
B ut 6 | mi 8 | sol 10 | |
C ut 5 | re 6 | fa 8 | la 10 |
D re 5 | [mi] 6 | sol 8 | |
E ut 3 | mi 5 | fa 6 | la 8 |
F re 3 | fa 5 | sol 6 | |
G ut unisonus | mi 3 | sol 5 | la 6 |
A re unisonus | fa 3 | la 5 | |
B ut 3 desuper | mi unisonus | sol 3 | |
C re 3 desuper | fa unisonus | la 3 | |
D ut 5 desuper | mi 3 desuper | sol unisonus | |
E ut 6 desuper | re 5 desuper | fa 3 desuper | la unisonus |
[38] Finis palmae contrapunctorum.
[Here end the palms of counterpoint.]
Source: Guilielmi monachi De preceptis artis musicae, ed. Albert Seay, Corpus scriptorum de musica, vol. 11 ([Rome]: American Institute of Musicology, 1965), 15–59.