Bibliography


Books

  • Canguilhem, Philippe, Chanter sur le livre a la Renaissance: les traites de contrepoint de Vicente Lusitano, 2013, Turnhout, Belgium: Brepols
  • Canguilhem, Philippe, L’improvisation polyphonique à la Renaissance, 2015, Paris: Classiques Garnier
  • Canguilhem, Philippe, The Cambridge History of Fifteenth-Century Music, chapter 9: “Improvisation as concept and musical practice in the 15th century”, ed. Busse Berger, Anna Maria, and Rodin, Jesse, 2015, Cambridge University Press
  • Cumming, Julie E., and Peter Schubert, The Cambridge History of Fifteenth-Century Music, chapter 12: “The Origins of Pervasive Imitation”, ed. Busse Berger, Anna Maria, and Rodin, Jesse, 2015, Cambridge University Press
  • Dongois, William, Apprendre à improviser avec la musique de la Renaissance, 2008, Lyon: Color & Talea
  • Dongois, William, Semplice ou passeggiato : Diminution et ornementation dans l'exécution de la musique de Palestrina et du stile antico, 2014, Droz, Geneve
  • Fiorentino, Giuseppe, Folía. El origen de los esquemas armónicos entre tradición oral y transmisión escrita, 2013, Edition Reichenberger
  • Galán, Santiago, La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo, 2016, Editorial Alpuerto
  • Guido, Massimiliano, ed., Studies in Historical Improvisation from Cantare super Librum to Partimenti, 2017, Routledge
  • Janin, Barnabé, Chanter sur le livre: manuel pratique d'improvisation polyphonique de la Renaissance (XVe et XVIe siècles), 2014, Lyon: Symétrie
  • Lewis, George E., (editor), and Piekut, Benjamin, (editor), The Oxford handbook of critical improvisation studies, 2016, New York: Oxford University Press
  • McGee, Timothy J., (editor), Improvisation in the arts of the Middle Ages and Renaissance, 2003, Kalamazoo: Medieval Institute Publications
  • Menke, Johannes, Schubert, Peter N., and Wegman, Robert, Improvising early music, 2014, Collected writings of the Orpheus Institute, Leuven University Press
  • Schubert, Peter, Modal Counterpoint: Renaissance Style, 2008, New York: Oxford University Press

Articles

  • Canguilhem, Philippe, “Singing upon the book according to Vicente Lusitano”, Early Music History 30, 2011
  • Cumming, Julie E., and Peter Schubert, “Talking about the Lost Generation: Sacred Music of Willaert, Gombert, and Michele Pesenti”, The Journal of Musicology 32, no. 3, 2015
  • Fiorentino, Giuseppe, “Música española del renacimiento entre tradición oral y transmisión escrita. el esquema de folía en procesos de composición e improvisación”, Revista de Musicología 34, no. 1, 2011
  • Fiorentino, Giuseppe, “La música de «hombres y mugeres que no saben de música»: polifonía de tradición oral en el Renacimiento español”, Revista De Musicología 31, no. 1, 2008
  • Fiorentino, Giuseppe, “‘Cantar por uso' and 'cantar fabordón': The 'unlearned' tradition of oral polyphony in Renaissance Spain (and beyond)”, Early Music, Vol. XLIII, No. 1, 2015
  • Fiorentino, Giuseppe, “Relazioni musicali tra Italia e Spagna nella prima metà del XVI secolo: L'anomalia delle pavane ternarie”, Studi Musicali 38, no. 2, 2009
  • Horsley, Imogene, “Improvised Embellishment in the Performance of Renaissance Polyphonic Music”, Journal of the American Musicological Society 4, no. 1, 1951
  • Horsley, Imogene, “The Diminutions in Composition and Theory of Composition”, Acta Musicologica 35, no. 2/3, 1963
  • Horsley, Imogene, “The Renaissance Attitude Toward Interpretation in Instrumental Performance”, Renaissance News 10, no. 2, 1957
  • Morucci, Valerio, “Improvisation in vocal contrapuntal pedagogy: An appraisal of Italian theoretical treatises of the sixteenth and early seventeenth century.” Performance Practice Review 18, no. 1, 2013
  • Schubert, Peter, and Cumming, Julie E., “Another lesson from Lassus: Using computers to analyse counterpoint.” Early Music 43, no. 4, 2015
  • Schubert, Peter, and Lessoil-Daelman, Marcelle, “What modular analysis can tell us about musical modeling in the Renaissance.” Music Theory Online 19, no. 1, 2013
  • Schubert, Peter, “Recombinant melody: Ten things to love about Willaert's music.” Current Musicology no. 75, 2003
  • Treitler, Leo, “Speaking of the I-Word.” In: The Oxford Handbook of Critical Improvisation Studies, edited by George E. Lewis, and Benjamin Piekut, 2:258–282. Two volumes. New York: Oxford University Press, 2016.

Online articles